153, 8 (zu den werkspezifischen Angaben)	[Zu 153, 7]
Adaptation: Kellermann, W. 1936 158 [151,7-153,20], Huby, Michel 1980a 6 Anm. 99 [151,23-153,13] Artus: Schirok 1989c 70 [151,21-153,13] Blutstropfenepisode: Dewald 1975 120 [151,21-153,13], 123 Anm. 25 [151,10-153,12] Entstehungsgeschichte des Parzival: Karg-Gasterstädt 1925 155 [107,10-170,13] Grammatik: Boysen 1910 146, Adelberg 1960 147 [150,29-153,20] Humor: Kant 1878 15 [153,7-153,8], Ridder 2002a 143 [151,11-153,20] Interpretation: Henschel 1952a 303 [151,11-153,18], Zutt 1968 182 [151,21-153,18], Kratz, H. 1973a 225 [152,23-153,20], Wehrli 1984 178 [151,7-153,13], Schweikle, G. 1986c 88 Anm. 17 [151,21-153,20], Eichholz 1987 162 [153,7-153,13], Haferland 1988 237 [151,21-153,13], Nellmann 1994c 614 [153,7-153,13], Nyholm 1997 232 [152,23-153,13], Johnson, L. 1999 339 [151,21-153,16], Steppich 1999 45 Anm. 20 [153,7-153,12], Hasty 2002c 255 [151,11-153,20] Ironie: Yeandle 1984 21 Keie: Garnerus 1999 95 [151,11-153,13] Lichtmetaphorik: Cessari 2000 96 Anm. 67 [152,23-153,13] Parodie: Schiendorfer 1983 223 [151,21-153,13] Philologie: Eichholz 1987 185 Quellen - Chrétien: Lichtenstein 1897 19 [152,30-153,8], 20 [153,1-153,8], Eichholz 1987 184-85 [153,7-153,13] Quellen - Keltisches: San-Marte 1842 226 [151,11-153,20] Rezeption (sekundär - Mittelalter): Nyholm 1964 136 [151,11-154,10], Jillings 1980 30 [151,11-153,20], 46 Anm. 13 [151,23-153,18], Krüger, R. 1986 278 [152,23-153,13], Mentzel-Reuters 1989 127 [150,29-153,20], Daiber 1999 210 Anm. 309 [151,11-153,16] Rezeption (sekundär - Neuzeit): Wagemann 1998 148 [151,21-153,13] Rhetorik: Eichholz 1987 185 Selbstverteidigung: Boigs 1992 12 [151,21-153,20], 15 [151,21-153,20] Sprache: Moebius 1898 48 Stil: Karg-Gasterstädt 1925 92 [151,7-153,20], Weber, G. 1928 46 [153,7-153,13], Yeandle 1984 21 Syntax: Karg-Gasterstädt 1925 98 Anm. 3, Horacek 1952c 299, Horacek 1957 437 [153,7-153,8], Horacek 1964 98, 155 Anm. 264 tumpheit: Haas, A. 1964 27 Anm. 1 [152,23-153,20]
	[Zu 153, 9]