168, 2 (zu den werkspezifischen Angaben)[Zu 168, 1]
Abbildungen: Stephan-Chlustin 2004 97 [168,2-168,20]
Adaptation: Hilka 1932 651 [168,2-168,6], Mergell 1943 56 [166,21-168,19], 60 Anm. 88, Gilmour 2000 91-93 [166,17-169,20], 119 [168,1-168,20], 120 [168,2-168,6]
Asyndeton: Gilmour 2000 120
Charakterisierung: Blamires 1966 120 [168,1-168,19], Yeandle 1984 355 [168,2-168,6], Gilmour 2000 119 [168,1-168,20]
Didaktik u. Lehrdichtung: Kästner 1978 192 [168,1-168,19]
Entstehungsgeschichte des Parzival: Karg-Gasterstädt 1925 155 [107,10-170,13]
Erzähltechnik: Green 1982b 208 Anm. 114 [168,1-168,23], Urscheler 2002 199 [166,11-169,4]
Erziehung: Brall-Tuchel und Haussmann 2003 22 [168,1-168,20]
Farben u. Farbensymbolik: Jacobsohn 1915 73 [168,1-168,2], Ehrismann, G. 1927 231 [168,2-168,20], Pastré 1994e 233 [168,2-168,14]
Grammatik: Gilmour 2000 17, 96
groteske Figuren: Michel 1976 283 Anm. 91.1 [168,1-168,27]
Handschriftliches: Hirschberg 1976 62 [166,12-169,4]
Hartmann von Aue: Wand 1989 142 [168,1-168,19], Gilmour 2000 119 [168,1-168,20]
Herrschaft: Schröder, J. 2004 180 [168,1-168,19]
höfisches Leben: Zeydel und Morgan 1951 347, Kordt 1997 183, Gilmour 2000 119 [168,1-168,20]
indoeur. Mythologie: Pastré 1993c 179 [168,2-168,19], Pastré 1993d 68 [168,2-168,14]
Interpretation: Kratz, H. 1973a 214 Anm. 19 [168,1-168,19], 230 [168,1-169,2], Huber, H. 1981 85 [168,1-168,27], Green 1982a 81 Anm. 123 [168,1-168,19], Steppich 1993 405 Anm. 39 [168,1-168,19], Gilmour 2000 91-93 [166,17-169,20], 93 Anm. 81, 119 [168,1-168,20], 120
Interpunktion: Gilmour 2000 120
Inzest: Buschinger 1985a 130 [168,2-168,19], Buschinger 1994d 51 [168,2-168,19], Buschinger 1995e 41 Anm. 73 [168,2-168,19], Buschinger 1995h 70 [168,2-168,19], Buschinger 2001h 81 [168,2-168,20]
Kindheit u. Jugend: Russ 2000 62 [168,2-168,6]
Kleidung, Mode, Textilien: Bertelt 1936a 22-24 [168,1-168,19], 27 [168,2-168,19], Jones, G. 1956 64 Anm. 6 [168,1-168,14], Lehmann-Langholz 1985 48 [168,1-168,20], Raudszus 1985 114 Anm. 497 [168,2-168,19], Brüggen 1989 125 [168,1-168,19], Brüggen 1993 207 [168,1-168,19], Nellmann 1994c 545 [168,2-168,19], Speckner 1995 31-32 [168,1-168,19], Gilmour 2000 91-93 [166,17-169,20], 92-93 Anm. 81 [168,2-168,20], 119 [168,1-168,20], 120
Metrik: Kraus, C. 1902 203 [168,2-168,4], Karg-Gasterstädt 1925 114 Anm. 1 [168,1-168,20]
Minne u. Ehe: Karg, I. 1993b 101 [166,21-168,20], Gilmour 2000 91-93 [166,17-169,20]
Quellen - Chrétien: Lichtenstein 1897 23 [168,2-168,14], Rachbauer 1934 84 [168,2-168,6], Rachbauer 1970 84 [168,2-168,6], Rachbauer 1980 84 [168,2-168,6]
Rezeption (sekundär - Mittelalter): Belitz 1978 342 Anm. 112 [168,2-168,19], Kern, Peter 1981 225 Anm. 37 [165,15-169,20]
Rezeption (sekundär - Neuzeit): Strässle 2001 388 Anm. 653 [168,2-168,19]
Ritterethik: San-Marte 1862b 69 [168,1-168,19]
Rittertum: Bumke 1964c 241 Anm. 14 [168,2-168,19], Vogt, D. 1985 42 [168,1-169,4], Gilmour 2000 51 [168,1-168,20]
Schönheit: Gilmour 2000 91-93 [166,17-169,20]
Sprache: Barufke 1995 158
Stil: Karg-Gasterstädt 1925 112 [168,1-168,20], Laserstein 1967 32 [153,14-372,18], Yeandle 1984 58
Syntax: Karg-Gasterstädt 1925 109 Anm. 1 [167,10-168,8]
tumpheit: Gilmour 2000 91-93 [166,17-169,20]
Überlieferung: Bonath und Lomnitzer 1989 105 [167,3-168,27]
Werkstruktur: Hirschberg 1976 62 [166,12-169,4], Schultz, J. 1983 90 [168,1-168,20]
Wortschatz: Riemer, G. 1906 29, 46, Cucuel 1937 26
Wortsinn: Gilmour 2000 68, 120, 317
 [Zu 168, 3]