186,19 (zu den werkspezifischen Angaben)	[Zu 186,18]
Adaptation: Mergell 1943 71 Anm. 5 [186,11-186,20], 72 [186,17-186,20] Apokoinu: Leitzmann 1927c 93 [186,17-186,20], Sievers 1927 102/106 [186,17-186,20], Karg, F. 1929a 65 [186,17-186,20], Gärtner 1969 241-43 [186,15-186,20] Blutstropfenepisode: Dewald 1975 52 [186,19-186,20] Charakterisierung: Blamires 1966 226 [186,17-186,20], Ringeler 2000 132 [186,17-186,20] Condwiramurs: Heise 1957 41 [186,11-186,20], Zuin 1993 100 [186,19-186,20] Entstehungsgeschichte des Parzival: Karg-Gasterstädt 1925 69 [186,19-186,20] Erzähltechnik: Richey 1957j 168 [186,19-186,20], Mahler 1974 538 [186,15-186,20], Green 1980b 125, Lofmark 1981 104 [186,1-186,20], Green 1982b 73 Anm. 51 Gral: Westphal 2000 214 [186,15-186,20] heterodoxe Einflüsse: Katann 1957/58 327 [186,1-186,30] Interpretation: Henschel 1952a 301-02 [186,17-186,20], Schröder, Walter Johannes 1963 28 Anm. 12 [186,19-186,20], Huth 1972 404 [185,21-815,26], Kratz, H. 1973a 240 [185,19-187,6], Huber, H. 1981 64 [186,19-186,20], 67 [186,19-186,20], 187 [186,17-186,20], Decke-Cornill 1985 210 [186,19-186,20], Lampe 1987b 204 [186,19-186,20], Nellmann 1994c 555 [186,17-186,20], Gilmour 2000 107 [186,19-186,20], 217 [186,19-186,20] Kyot: Schäfer, H. 1983 86 [186,17-186,25], Schäfer, H. 1985 90 [186,17-186,25] Lichtmetaphorik: Kratz, H. 1973a 96 [186,17-186,20], Gilmour 2000 107-08 [186,17-186,20] Namen: Passage 1984 184 [186,17-186,27], Chandler 1992 164 [186,17-186,20] Naturwissenschaft: James-Raoul 1998 228 [186,17-186,20] Quellen - allgemein: Singer, S. 1916 21 [186,19-186,20], Weber, G. 1928 31 [185,1-186,30], Lofmark 1972a 829 Anm. 2 [186,17-186,20] Quellen - Chrétien: Lichtenstein 1897 27 [186,17-186,20], Rachbauer 1934 114 [186,17-186,20], Rachbauer 1970 114 [186,17-186,20], Rachbauer 1980 114 [186,17-186,20] Raum u. Bewegung: Jäger, D. 1998 30 [185,21-187,6] Rhetorik: Pastré 1993e 302 [186,17-186,20] Richtungskonstruktionen: Wießner 1901 493 [186,19-186,20] Schönheit: San-Marte 1862b 156 [186,19-186,20], Hahn, I. 1975 206 Anm. 15 [186,19-186,20] fünf Sinne: Schleusener-Eichholz 1985 912 Anm. 368 [186,17-186,20] Stil: Laserstein 1967 32 [153,14-372,18], Kutzner 1975 70 [186,19-186,20] Syntax: Mourek 1911 19 [186,19-186,20] Werkstruktur: Fourquet 1965 146 [185,19-186,20], Fourquet 1979j 171 [185,19-186,20] Wortsinn: Gilmour 2000 109 [186,19-186,20], Hartmann, Heiko 2000 135 [186,19-186,20]
	[Zu 186,20]