205,12 (zu den versspezifischen Angaben) 
Adaptation: Lichtenstein 1897 31 [205,9-205,14], Rachbauer 1934 102 [205,9-205,16], Fourquet 1938b 55 [205,9-205,16], Mergell 1943 41 Anm. 59 [205,9-205,16], 71 Anm. 3 [205,9-205,16], Fourquet 1966b 36 [205,9-205,16], Rachbauer 1970 102 [205,9-205,16], Rachbauer 1980 102 [205,9-205,16], Pérennec 1984f 204 [205,9-205,12]
armuot: Mohr 1968a 128 [205,9-205,16], Mohr 1979p 352 [205,9-205,16]
Artusepik: Pérennec 1984f 204 [205,9-205,12]
Buch III: Yeandle 1984 112
Buch VII: Zimmermann, Gisela 1974 233
Entstehungsgeschichte des Parzival: Karg-Gasterstädt 1925 48 [205,9-205,12], 59 [205,9-205,16]
Erzähler: Green 1979a 62 Anm. 1 [205,9-205,16], 143 [205,9-205,12], 267 [205,9-205,12]
Erzähltechnik: Gerz 1930 68 [205,9-205,12], Mergell 1943 41 Anm. 59 [205,9-205,16], 71 Anm. 3 [205,9-205,16], Gerz 1967 68 [205,9-205,12], Green 1979a 62 Anm. 1 [205,9-205,16], 143 [205,9-205,12], 267 [205,9-205,12], Jäger, D. 1998 95 Anm. 15 [205,11-206,4]
Fiktionalität: Huth 1972 404 [185,21-815,26]
französischer Wortschatz: Suolahti 1933 305
Gral: Golther 1925a 154 [205,9-205,14], Rahn 1933 324 [205,1-206,30]
heterodoxe Einflüsse: Rahn 1933 324 [205,1-206,30]
höfischer Roman: Green 1979a 62 Anm. 1 [205,9-205,16], 143 [205,9-205,12], 267 [205,9-205,12]
höfisches Leben: Mersmann 1971 247, Huth 1972 404 [185,21-815,26]
Interpretation: Mohr 1965b 186 Anm. 5 [205,9-205,16], Mersmann 1971 247, Huth 1972 404 [185,21-815,26], Mohr 1979h 150 Anm. 5 [205,9-205,16], Pérennec 1984f 204 [205,9-205,12]
Interpretation - Strukturalismus: Simon, R. 1990 210 [205,9-205,16]
Ironie: Green 1979a 62 Anm. 1 [205,9-205,16], 143 [205,9-205,12], 267 [205,9-205,12]
Kommentar: Zimmermann, Gisela 1974 233, Yeandle 1984 112
Krieg u. Heerzug: Jackson, William Henry 1999 170 [205,9-205,16]
Kyot: Lichtenstein 1897 31 [205,9-205,14]
Minne u. Ehe: Huth 1972 404 [185,21-815,26], Green 1979a 62 Anm. 1 [205,9-205,16], 143 [205,9-205,12], 267 [205,9-205,12]
Namen: Kleiber 1962 83 [205,9-205,16]
Quellen - allgemein: Lichtenstein 1897 31 [205,9-205,14], Golther 1925a 154 [205,9-205,14], Fourquet 1938b 55 [205,9-205,16], Fourquet 1966b 36 [205,9-205,16]
Quellen - Chrétien: Lichtenstein 1897 31 [205,9-205,14], Rachbauer 1934 102 [205,9-205,16], Fourquet 1938b 55 [205,9-205,16], Fourquet 1966b 36 [205,9-205,16], Rachbauer 1970 102 [205,9-205,16], Rachbauer 1980 102 [205,9-205,16]
Raum u. Bewegung: Jäger, D. 1998 95 Anm. 15 [205,11-206,4]
Realismus: Huth 1972 404 [185,21-815,26], Jäger, D. 1998 95 Anm. 15 [205,11-206,4]
Reichtum u. materialer Besitz: Mersmann 1971 247
Rezeption (allgemein): Golther 1925a 154 [205,9-205,14]
Ritterethik: Jackson, William Henry 1999 170 [205,9-205,16]
Ritterkampf u. Turnierwesen: Jackson, William Henry 1999 170 [205,9-205,16]
Rittertum: Mohr 1968a 128 [205,9-205,16], Green 1978a 38 [205,9-205,16], Green 1979a 62 Anm. 1 [205,9-205,16], 143 [205,9-205,12], 267 [205,9-205,12], Mohr 1979p 352 [205,9-205,16]
Rüstung: Jackson, William Henry 1999 170 [205,9-205,16]
Soziologie: Lawn 1977 23 [205,10-205,16]
Sprache: Karg-Gasterstädt 1925 48 [205,9-205,12], 59 [205,9-205,16], Tao 1997 139 [205,9-205,12]
Stil: Lichtenstein 1897 31 [205,9-205,14], Karg-Gasterstädt 1925 48 [205,9-205,12], 59 [205,9-205,16], Mergell 1943 41 Anm. 59 [205,9-205,16], 71 Anm. 3 [205,9-205,16], Laserstein 1967 32 [153,14-372,18]
Verskunst: Karg-Gasterstädt 1925 48 [205,9-205,12], 59 [205,9-205,16]
Werkstruktur: Green 1979a 62 Anm. 1 [205,9-205,16], 143 [205,9-205,12], 267 [205,9-205,12]
Wortschatz: Mohr 1968a 128 [205,9-205,16], Mersmann 1971 247, Mohr 1979p 352 [205,9-205,16]
 (zu den versspezifischen Angaben)