| 306,10 (zu den versspezifischen Angaben) | |
|
Abbildungen: Stephan-Chlustin 2004 222 [306,10-307,6]
Adaptation: Lichtenstein 1897 50 [306,10-306,11], Rachbauer 1934 205 [306,10-306,11], Mergell 1943 95 [306,10-306,20], Rachbauer 1970 205 [306,10-306,11], Rachbauer 1980 205 [306,10-306,11], Wolf, A. 1985a 42 [305,14-307,12], 43 Anm. 58 [306,10-306,20], Wolf, A. 1999h 306 Anm. 58 [306,10-306,20], 306 [305,14-307,12] Anfortas: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Arbeit u. Tätigkeit: Tuchel 1992 156 Anm. 48 [306,10-306,11] Charakterisierung: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Condwiramurs: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Erzähltechnik: Mergell 1943 95 [306,10-306,20] Erziehung: Pastré 1993f 367 [306,9-307,6] Feirefiz: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Fiktionalität: Huth 1972 404 [185,21-815,26] Frauen (allgemein): Tuchel 1992 156 Anm. 48 [306,10-306,11] Gahmuret: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Gawan: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Gesamtwürdigung: Kratz, H. 1973a 214 Anm. 19 [306,10-306,25], 272 [305,7-308,22] Handschriftliches: Stephan-Chlustin 2004 222 [306,10-307,6] Hartmann von Aue: Wiegand 1972 40, Tuchel 1992 156 Anm. 48 [306,10-306,11] Herzeloyde: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] höfisches Leben: Mersmann 1971 233 [306,10-306,11], 238 [306,10-306,11], 239, Huth 1972 404 [185,21-815,26], Tuchel 1992 156 Anm. 48 [306,10-306,11] Individualität: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] indoeur. Mythologie: Pastré 1993c 297 [306,9-307,6], Pastré 1993f 367 [306,9-307,6] Interpretation: Mersmann 1971 233 [306,10-306,11], 238 [306,10-306,11], 239, Huth 1972 404 [185,21-815,26] Kleidung, Mode, Textilien: Brüggen 1989 73 Anm. 199 [306,10-306,20], 85 Anm. 226 [306,10-306,20], Brüggen 1993 207 Anm. 39 [306,10-307,12] Kommentar: Garnerus 1999 205 [305,14-307,12], 209-10 [305,16-307,5], 211 Anm. 15, 214 [305,27-307,6], 217 [306,10-306,11], [306,10-306,13], 219 Kudrun: Tuchel 1992 156 Anm. 48 [306,10-306,11] Kyot: Lichtenstein 1897 50 [306,10-306,11] Metaphorik u. Bildlichkeit: Fuchs-Jolie 2004 267 [306,10-306,20] Minne u. Ehe: Huth 1972 404 [185,21-815,26], Wiegand 1972 40 Parzival: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Der Pleier: Kern, Peter 1981 176 Anm. 45 [306,10-307,12] Quellen - allgemein: Lichtenstein 1897 50 [306,10-306,11] Quellen - Chrétien: Lichtenstein 1897 50 [306,10-306,11], Rachbauer 1934 205 [306,10-306,11], Rachbauer 1970 205 [306,10-306,11], Rachbauer 1980 205 [306,10-306,11] Realismus: Huth 1972 404 [185,21-815,26] Reichtum u. materialer Besitz: Mersmann 1971 233 [306,10-306,11], 238 [306,10-306,11], 239 Rezeption (sekundär - Mittelalter): Kern, Peter 1981 176 Anm. 45 [306,10-307,12] Rezeption (sekundär - Neuzeit): Wagemann 1998 201 [306,10-307,6] Rhetorik: Fuchs-Jolie 2004 267 [306,10-306,20] Stil: Lichtenstein 1897 50 [306,10-306,11], Mergell 1943 95 [306,10-306,20], Laserstein 1967 32 [153,14-372,18] Trevrizent: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Überlieferung: Stephan-Chlustin 2004 222 [306,10-307,6] Verwandtschaftsverhältnisse: Delabar 1990 230 [306,9-307,12] Wahrnehmung, Blick usw: Fuchs-Jolie 2004 267 [306,10-306,20] Werkstruktur: Pastré 1993c 297 [306,9-307,6] Wortschatz: Mersmann 1971 233 [306,10-306,11], 238 [306,10-306,11], 239 | |
| (zu den versspezifischen Angaben) |