| 306,18 (zu den versspezifischen Angaben) | |
|
Abbildungen: Stephan-Chlustin 2004 222 [306,10-307,6]
Adaptation: Lichtenstein 1897 50 [306,12-306,20], Mergell 1943 95 [306,10-306,20], Wolf, A. 1985a 42 [305,14-307,12], 43 Anm. 58 [306,10-306,20], Wolf, A. 1999h 306 Anm. 58 [306,10-306,20], 306 [305,14-307,12] Anfortas: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Buch III: Eichholz 1987 97 [306,16-306,18] Charakterisierung: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29], Huber, H. 1981 53 [306,18-306,20] Condwiramurs: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Erzähltechnik: Mergell 1943 95 [306,10-306,20] Erziehung: Pastré 1993f 367 [306,9-307,6], 368 [306,16-308,10] Feirefiz: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Fiktionalität: Huth 1972 404 [185,21-815,26] Frauen (allgemein): Gibbs 1972 125 [306,18-306,20] Frauenfiguren: Gibbs 1967/68 305 zitiert als 396,16-20 [306,16-306,20], Gibbs 1972 125 [306,18-306,20], Gibbs 1967/68 305 zitiert als 396,16-20 [306,16-306,20] Gahmuret: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Gawan: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Gesamtwürdigung: Kratz, H. 1973a 214 Anm. 19 [306,10-306,25], 272 [305,7-308,22] Handschriftliches: Stephan-Chlustin 2004 222 [306,10-307,6] Herzeloyde: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] höfisches Leben: Mersmann 1971 130 Anm. 26 [306,18-306,20], 132 [306,18-306,20], Huth 1972 404 [185,21-815,26] Individualität: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] indoeur. Mythologie: Pastré 1993c 297 [306,9-307,6], 298 [306,16-307,12], Pastré 1993f 367 [306,9-307,6], 368 [306,16-308,10] Interpretation: Mersmann 1971 130 Anm. 26 [306,18-306,20], 132 [306,18-306,20], Huth 1972 404 [185,21-815,26], Huber, H. 1981 53 [306,18-306,20] Kleidung, Mode, Textilien: Bertelt 1936a 15 Anm. 4 [306,18-306,20], Raudszus 1985 126 [306,16-306,20], Brüggen 1989 73 Anm. 199 [306,10-306,20], 85 Anm. 226 [306,10-306,20], 111 [306,16-306,20], 249 [306,16-306,20], Brüggen 1993 207 Anm. 39 [306,10-307,12] Kommentar: Eichholz 1987 97 [306,16-306,18], Garnerus 1999 205 [305,14-307,12], 209-10 [305,16-307,5], 214 [305,27-307,6], 219-20 [306,18-306,20], 220 Kyot: Lichtenstein 1897 50 [306,12-306,20] Lichtmetaphorik: Huber, H. 1981 53 [306,18-306,20] Metaphorik u. Bildlichkeit: Fuchs-Jolie 2004 267 [306,10-306,20] Minne u. Ehe: Huth 1972 404 [185,21-815,26] Parzival: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Der Pleier: Kern, Peter 1981 176 Anm. 45 [306,10-307,12] Quellen - allgemein: Lichtenstein 1897 50 [306,12-306,20] Quellen - Chrétien: Lichtenstein 1897 50 [306,12-306,20] Realismus: Huth 1972 404 [185,21-815,26] Reichtum u. materialer Besitz: Mersmann 1971 130 Anm. 26 [306,18-306,20], 132 [306,18-306,20] Rezeption (sekundär - Mittelalter): Kern, Peter 1981 176 Anm. 45 [306,10-307,12] Rezeption (sekundär - Neuzeit): Wagemann 1998 201 [306,10-307,6] Rhetorik: Fuchs-Jolie 2004 267 [306,10-306,20] Schönheit: Huber, H. 1981 53 [306,18-306,20] Stil: Lichtenstein 1897 50 [306,12-306,20], Bertelt 1936a 15 Anm. 4 [306,18-306,20], Mergell 1943 95 [306,10-306,20], Laserstein 1967 32 [153,14-372,18] Trevrizent: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29] Überlieferung: Stephan-Chlustin 2004 222 [306,10-307,6] Verwandtschaftsverhältnisse: Delabar 1990 230 [306,9-307,12] Wahrnehmung, Blick usw: Fuchs-Jolie 2004 267 [306,10-306,20] Werkstruktur: Pastré 1993c 297 [306,9-307,6], 298 [306,16-307,12] Wortschatz: Mersmann 1971 130 Anm. 26 [306,18-306,20], 132 [306,18-306,20] | |
| (zu den versspezifischen Angaben) |