306,29 (zu den versspezifischen Angaben) 
Abbildungen: Stephan-Chlustin 2004 222 [306,10-307,6]
Adaptation: Lichtenstein 1897 50, Rachbauer 1934 223, Rachbauer 1970 223, Rachbauer 1980 223, Wolf, A. 1985a 42 [305,14-307,12], Wolf, A. 1999h 306 [305,14-307,12]
Anfortas: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Artusepik: Emmel 1951 111 [306,25-306,29]
Blutstropfenepisode: Ehlert und Meissburger 1975 219 Anm. 198
Charakterisierung: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29], Ortmann 1972 130 [306,21-307,12], Johnson, L. 1978a 279 [306,22-306,29], Johnson, L. 1978c 294 [306,21-307,12]
Condwiramurs: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Edelsteine u. Edelsteinsymbolik: Engelen 1978 98 Anm. 101 [306,29-307,12], 102 Anm. 15 [306,29-307,6]
Erzähltechnik: Ortmann 1972 130 [306,21-307,12], Hirschberg 1976 119 [306,21-306,29]
Erziehung: Pastré 1993f 367 [306,9-307,6], 368 [306,16-308,10]
Feirefiz: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Fiktionalität: Huth 1972 404 [185,21-815,26]
Forschungsbericht: Lowet 1955 152 [306,26-306,29]
Gahmuret: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Gawan: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Gesamtwürdigung: Kratz, H. 1973a 272 [305,7-308,22]
Handschriftliches: Stephan-Chlustin 2004 222 [306,10-307,6]
Heidentum: San-Marte 1862b 70 [306,24-307,6]
Herzeloyde: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
höfisches Leben: Huth 1972 404 [185,21-815,26]
Individualität: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
indoeur. Mythologie: Pastré 1993c 297 [306,9-307,6], 298 [306,16-307,12], Pastré 1993f 367 [306,9-307,6], 368 [306,16-308,10]
Interpretation: Huth 1972 404 [185,21-815,26]
Kleidung, Mode, Textilien: Raudszus 1985 126, Brüggen 1993 207 Anm. 39 [306,10-307,12], 209 Anm. 50 [306,24-307,12]
Kommentar: Garnerus 1999 205 [305,14-307,12], 209-10 [305,16-307,5], 214 [305,27-307,6], 223-24
Kyot: Lichtenstein 1897 50, Lowet 1955 152 [306,26-306,29]
Lichtmetaphorik: Cessari 2000 117 Anm. 130 [306,26-307,12]
Minne u. Ehe: San-Marte 1862b 70 [306,24-307,6], Huth 1972 404 [185,21-815,26]
Parodie: Belitz 1978 342 Anm. 126 [306,22-306,29]
Parzival: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Der Pleier: Kern, Peter 1981 176 Anm. 45 [306,10-307,12]
Quellen - allgemein: Lichtenstein 1897 50
Quellen - Chrétien: Lichtenstein 1897 50, Rachbauer 1934 223, Rachbauer 1970 223, Ehlert und Meissburger 1975 219 Anm. 198, Rachbauer 1980 223
Realismus: Huth 1972 404 [185,21-815,26]
Religion: Lowet 1955 152 [306,26-306,29], Cessari 2000 117 Anm. 130 [306,26-307,12]
Rezeption (sekundär - Mittelalter): Belitz 1978 342 Anm. 126 [306,22-306,29], Kern, Peter 1981 176 Anm. 45 [306,10-307,12]
Rezeption (sekundär - Neuzeit): Wagemann 1998 201 [306,10-307,6]
Ritterethik: San-Marte 1862b 70 [306,24-307,6], Lowet 1955 152 [306,26-306,29]
Ritterkampf u. Turnierwesen: San-Marte 1862b 70 [306,24-307,6]
Rittertum: San-Marte 1862b 70 [306,24-307,6]
Schönheit: Johnson, L. 1978a 279 [306,22-306,29], Johnson, L. 1978c 294 [306,21-307,12]
Sprache: San-Marte 1862b 70 [306,24-307,6]
Stil: Lichtenstein 1897 50, Laserstein 1967 32 [153,14-372,18], Johnson, L. 1978a 279 [306,22-306,29]
Trevrizent: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Überlieferung: Stephan-Chlustin 2004 222 [306,10-307,6]
Verwandtschaftsverhältnisse: Delabar 1990 230 [306,9-307,12]
elterngeschichte)/Vorgeschichte (Gahmuret/Elterngeschichte): Lowet 1955 152 [306,26-306,29]
Werkstruktur: Hirschberg 1976 119 [306,21-306,29], Pastré 1993c 297 [306,9-307,6], 298 [306,16-307,12]
Wittenwiler, Heinrich: Belitz 1978 342 Anm. 126 [306,22-306,29]
Wortschatz: San-Marte 1862b 70 [306,24-307,6]
 (zu den versspezifischen Angaben)