355,27 (zu den versspezifischen Angaben)
Adaptation: Lichtenstein 1897 55 [355,26-355,29], 68 [355,27-355,29], Hilka 1932 723 [355,26-355,29], Mergell 1943 254 [355,23-355,29], Pastré 1979 384 [354,23-356,25] Buch VII: Zimmermann, Gisela 1974 8 [355,23-356,26] Entstehungsgeschichte des Parzival: Karg-Gasterstädt 1925 41 [355,23-356,6], 44 [355,26-356,6], Mohr 1966c 57 Anm. 13 [355,26-356,26] Erzähltechnik: Schwartzkopff 1909 26 [355,23-356,25], Mergell 1943 254 [355,23-355,29] Fiktionalität: Huth 1972 404 [185,21-815,26] höfisches Leben: Huth 1972 404 [185,21-815,26] Interpretation: Huth 1972 404 [185,21-815,26] Kommentar: Zimmermann, Gisela 1974 8 [355,23-356,26] Kommunikation: Schwartzkopff 1909 26 [355,23-356,25] Krieg u. Heerzug: Jackson, William Henry 1999 175 [354,28-356,25] Kyot: Lichtenstein 1897 55 [355,26-355,29], 68 [355,27-355,29], Mohr 1966c 57 Anm. 13 [355,26-356,26] Minne u. Ehe: Huth 1972 404 [185,21-815,26] Quellen - allgemein: Lichtenstein 1897 55 [355,26-355,29], 68 [355,27-355,29] Quellen - Chrétien: Lichtenstein 1897 55 [355,26-355,29], 68 [355,27-355,29] Realismus: Huth 1972 404 [185,21-815,26] Rhetorik: Pastré 1979 384 [354,23-356,25] Ritterethik: Jackson, William Henry 1999 175 [354,28-356,25] Ritterkampf u. Turnierwesen: Jackson, William Henry 1999 175 [354,28-356,25] Rüstung: Jackson, William Henry 1999 175 [354,28-356,25] Sprache: Karg-Gasterstädt 1925 41 [355,23-356,6], 44 [355,26-356,6] Stil: Lichtenstein 1897 55 [355,26-355,29], 68 [355,27-355,29], Schwartzkopff 1909 26 [355,23-356,25], Karg-Gasterstädt 1925 41 [355,23-356,6], 44 [355,26-356,6], Mergell 1943 254 [355,23-355,29], Laserstein 1967 32 [153,14-372,18] Verskunst: Karg-Gasterstädt 1925 41 [355,23-356,6], 44 [355,26-356,6]
	(zu den versspezifischen Angaben)