Adaptation: Mergell 1943 254 [355,30-356,25], Zimmermann, Gisela 1974 8 [355,23-356,26], Pastré 1979 384 [354,23-356,25]
Charakterisierung: Ringeler 2000 159 [356,17-356,20]
Chrétien (außer Perceval): Weigand, H. 1969f 158 Anm. 3 [356,17-356,20]
Entstehungsgeschichte des Parzival: Karg-Gasterstädt 1925 44 [356,7-356,26]
Erzähltechnik: Schwartzkopff 1909 26 [355,23-356,25], Green 1982b 137 [356,17-356,20]
Interpretation: Huth 1972 404 [185,21-815,26], Kratz, H. 1973a 282 [356,17-356,20], Zimmermann, Gisela 1974 122, 140, 264 [356,17-356,20], Schirok 1988c 436 [356,17-356,20]
Krieg u. Heerzug: Zimmermann, Gisela 1974 142, Jackson, William Henry 1999 175 [354,28-356,25]
Kyot: Mohr 1966c 57 Anm. 13 [355,26-356,26]
Quellen - Chrétien: Weigand, H. 1956a 52 Anm. 3 [356,17-356,20]
Rezeption (sekundär - Mittelalter): Cormeau 1977a 184 [356,15-356,20], 188 [356,15-357,26], Kern, Peter 1981 255 Anm. 89 [356,15-356,21]
Sprache: Beck, Hartmut 1994 44, Wiktorowicz 1999 92
Stil: Laserstein 1967 32 [153,14-372,18]
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