384, 8 (zu den werkspezifischen Angaben)	[Zu 384, 7]
Adaptation: Mergell 1943 261 [384,7-384,12], Zimmermann, Gisela 1974 9 [383,24-384,14], Pastré 1979 370 [383,23-384,28], 371 [383,23-384,28], Huby, Michel 1980a 3 [383,23-384,14] Entstehungsgeschichte des Parzival: Karg-Gasterstädt 1925 45 [383,27-384,14] Erzähltechnik: Schu 2002 203 Anm. 232 [383,23-384,12], 282 Anm. 167 [383,23-384,14] Gawan-Handlung: Emmel 1951 124 [383,23-384,14] Individualität: Sosna 2003 196 [383,23-384,14] Interpretation: Misch 1927 275 Anm. 1 [383,24-384,13], Springer 1959 237 [383,23-384,14], Huth 1972 404 [185,21-815,26], Kratz, H. 1973a 281 [383,23-384,12], Zimmermann, Gisela 1974 270 [384,7-384,9], 288 [383,17-384,14], 290 [383,17-384,14], 299 [383,23-384,12], Springer 1975b 200 [383,23-384,14], Ruh 1980 117 [383,23-384,14], Nellmann 1994c 639 [384,8-384,12], 642 [384,8-384,12] Namen: Zimmermann, Gisela 1974 116 [384,8-384,9], Chandler 1992 264, Müller, M. 2003 216 [384,7-384,12] Raum u. Bewegung: Wynn 1961b 413 [384,7-384,9], Wynn 1984 117 [384,7-384,9] Rezeption (sekundär - Mittelalter): Zatloukal 1989 182 [384,8-384,14], Keller, J. 1997 338 Anm. 130 [383,23-384,14] Ritterethik: Emmerling 2003 288 Anm. 53 [384,5-384,13] Rittertum: Green 1978a 28 Anm. 2 [384,8-384,9] Stil: Zimmermann, Gisela 1974 270 [384,7-384,9], Kutzner 1975 101 [384,7-384,13] Überlieferung: Bonath und Lomnitzer 1989 129 [383,18-384,17] Zeitverhältnisse: Rührmund 1848 467 [383,23-384,13], Weigand, H. 1938 945 [384,7-384,9], Weigand, H. 1967b 33 [384,7-384,9], Weigand, H. 1969b 65 [384,7-384,12]
	[Zu 384, 9]