Adaptation: Lichtenstein 1897 13 [17,15-127,18]
Buch II: Hartmann, Heiko 2000 44 [39,11-40,19]
Buch VII: Zimmermann, Gisela 1974 222 [39,20-39,21]
Entstehungsgeschichte des Parzival: Cucuel 1937 26, 66 [39,17-39,21]
Erzähltechnik: Cucuel 1937 26, 66 [39,17-39,21]
Gahmuret: Cucuel 1937 26, 66 [39,17-39,21]
Gesamtwürdigung: Kratz, H. 1973a 178 [39,11-40,19]
Grammatik: Ide 1996 185 [39,20-39,21]
höfisches Leben: Wenzel, H. 1995 130
Kommentar: Zimmermann, Gisela 1974 222 [39,20-39,21], Hartmann, Heiko 2000 44 [39,11-40,19]
Kyot: Lichtenstein 1897 13 [17,15-127,18]
Memoria: Wenzel, H. 1995 130
Musik u. Tanz: Eitschberger 1999 135 [39,20-39,21], [39,11-39,28]
Parenthese: Cucuel 1937 26, 66 [39,17-39,21]
Quellen - allgemein: Lichtenstein 1897 13 [17,15-127,18]
Quellen - Chrétien: Lichtenstein 1897 13 [17,15-127,18]
Reim: Cucuel 1937 26, 66 [39,17-39,21]
Rüstung: Cucuel 1937 26, 66 [39,17-39,21]
Schriftlichkeit: Wenzel, H. 1995 130
fünf Sinne: Wenzel, H. 1995 130
Sprache: Lötscher 1973 86, 104 [39,20-39,21], 184, Ide 1996 185 [39,20-39,21]
Stil: Lichtenstein 1897 13 [17,15-127,18], Ide 1996 185 [39,20-39,21]
Syntax: Ide 1996 185 [39,20-39,21]
Verwandtschaftsverhältnisse: Delabar 1990 142-43 [39,11-40,20], 146 [39,11-40,20]
elterngeschichte)/Vorgeschichte (Gahmuret/Elterngeschichte): Cucuel 1937 26, 66 [39,17-39,21], Hartmann, Heiko 2000 44 [39,11-40,19]
Wappenkunde: Cucuel 1937 26, 66 [39,17-39,21]
Wortschatz: Cucuel 1937 26, 66 [39,17-39,21]
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