516,12 (zu den werkspezifischen Angaben)	[Zu 516,11]
Adaptation: Mergell 1943 277 [516,3-516,14] Allegorese: Freytag, W. und Freytag, H. 1973 313 Anm. 42 [516,3-516,14] Buch VII: Mohr 1957a 17 [516,3-516,14], Mohr 1966b 275 [516,3-516,14], Mohr 1979f 108 [516,3-516,14] Charakterisierung: Johnson, L. 1978a 283 [516,3-516,14], Ringeler 2000 161 [516,11-516,14] Entstehungsgeschichte des Parzival: Grimm, Walther Ludwig 1897 33 [516,2-516,14] Erzähler: Curschmann 1971a 664 [516,3-516,14] Erzähltechnik: Lichtenstein 1897 68 [516,3-516,14], Weber, G. 1928 45 [516,9-516,14], Schäfer, J. 1972 217 [516,3-516,14], Nellmann 1973a 139 [516,3-516,14], Hirschberg 1976 217 [516,3-516,14], Parshall 1981 260 Anm. 20 [516,3-516,14], 263 Anm. 41 [516,3-516,14], Green 1982b 151 Anm. 63 [516,3-516,14], 164 [516,3-516,14], Neugart 1996 70 Anm. 19 [516,3-516,14], Bumke 1997a 134 [516,3-516,14], Urscheler 2002 255 [516,3-516,14] Frauen (allgemein): Rinn 1996 89 [516,3-516,14] Gawan-Handlung: Rupp, H. 1983 7 [516,3-516,14], McConnell und Suess 1991 238 Anm. 24 [516,3-516,14], Jones, M. 1999 60 [516,3-516,14] Grammatik: Decke-Cornill 1985 225 [516,11-516,12] Herzeloyde: Emmerling 2003 236 Anm. 68 [516,3-516,14] Interpretation: Springer 1959 238 [516,3-516,14], Mohr 1965b 175-76 [516,3-516,14], 180 [516,3-516,14], 186 [516,3-516,14], Huth 1972 404 [185,21-815,26], Kratz, H. 1973a 339 [516,3-516,14], Zimmermann, Gisela 1974 70 [516,3-516,14], Springer 1975b 201 [516,3-516,14], Mohr 1979h 139-40 [516,3-516,14], 144 [516,3-516,14], 150 [516,3-516,14], Mohr 1979j 200-01 [516,3-516,20], Huber, H. 1981 103 [516,3-516,14], 203 [516,3-516,14], Pérennec 1984f 263-64 [516,3-516,14], Gottzmann 1986 262 [516,3-516,14], Gottzmann 1988a 262 [516,3-516,14], Nellmann 1994c 633 [516,3-516,14], 707 [516,3-516,14], Kästner und Schirok 2000a 113 [516,3-516,14] Ironie: Green 1979a 235 Anm. 2 [516,3-516,14] Medizin: Haferlach 1991 48, 49 [516,3-516,14] Minne u. Ehe: Riemer, W. und Egert 1992 83 Anm. 59 [516,3-516,14], Emmerling 2003 146 Anm. 192 [516,3-516,14] Orgeluse: Wynn 1976/77 134 [516,3-516,14], Kinzel 1889 69 [516,3-516,14], Gibbs 1972 197 [516,3-516,14], Zimmermann, Gisela 1972 134 [516,3-516,14], Francke 1983 20 [516,3-516,14], 25, Baisch 1999 25 [516,3-516,14], Dieterich 2000 13 Anm. 23 [516,3-516,14], Emmerling 2003 130 Anm. 150 [516,2-516,14], 145 [516,3-516,14] Oxymoron: Freytag, W. 1972a 95 Anm. 85 [516,3-516,14] Quellen - allgemein: Heinzel 1893 7 [516,3-516,14] Rache: Möbius 1993 242 [516,11-516,14] Rhetorik: Wessel-Fleinghaus 1992 84 Anm. 352 [516,3-516,14] Richtungskonstruktionen: Wießner 1901 489 [516,11-516,12] Sprache: Bötticher 1876 287 [516,2-517,2], Eroms 1989a 29 [516,11-516,14] Stil: Kratz, H. 1973a 127 [516,3-516,14], Welter 1974 46 [516,3-516,14], Kutzner 1975 186-87 [516,3-516,14] Syntax: Herchenbach 1911 79 [516,11-516,14] Überlieferung: Hofstätter 1951 79 [516,8-517,19], Bonath und Lomnitzer 1989 111 [516,11-517,17], 129 [516,8-517,19] Wagner, Richard: Wapnewski 1978a 237 [516,4-516,14] Wahrnehmung, Blick usw: Schirok 2002b 101 Anm. 13 [516,3-516,14], 116 [516,3-516,14] Werkstruktur: Schultz, J. 1983 162 [516,9-516,14] Zorn: Swisher 1992 401 [516,11-516,14]
	[Zu 516,13]