| 599,17 (zu den versspezifischen Angaben) | |
|
Adaptation: Mergell 1943 290 [599,10-599,20], Neugart 1996 70 Anm. 17 [599,10-599,20], Emmerling 2003 107 [599,14-599,20], 151 [599,15-599,20]
Anfortas: Blamires 1966 409 [599,17-599,20] Artusepik: Ringeler 2000 166 [599,9-599,20] Blutstropfenepisode: Dewald 1975 188 [599,15-599,19] Charakterisierung: Blamires 1966 409 [599,17-599,20], Ortmann 1972 123 [599,15-599,23], 126 [599,17-599,20], Ringeler 2000 166 [599,9-599,20], Emmerling 2003 107 [599,14-599,20], 151 [599,15-599,20] Condwiramurs: Blamires 1966 409 [599,17-599,20] Erzähltechnik: Mergell 1943 290 [599,10-599,20], Ortmann 1972 123 [599,15-599,23], 126 [599,17-599,20], Dewald 1975 188 [599,15-599,19], Neugart 1996 70 Anm. 17 [599,10-599,20] Feirefiz: Blamires 1966 409 [599,17-599,20] Fiktionalität: Huth 1972 404 [185,21-815,26] Frauenfiguren: Emmerling 2003 107 [599,14-599,20], 151 [599,15-599,20] Fuetrer, Ulrich: Nyholm 1964 258 [597,25-599,27] Gahmuret: Blamires 1966 409 [599,17-599,20] Gawan: Blamires 1966 409 [599,17-599,20] Gawan-Handlung: Zimmermann, Gisela 1972 136 Anm. 18 [599,17-599,20], 137 [599,15-599,20], Neugart 1996 70 Anm. 17 [599,10-599,20], Emmerling 2003 107 [599,14-599,20], 151 [599,15-599,20] Gesamtwürdigung: Kratz, H. 1973a 347 [599,15-599,20] Gral: Dewald 1975 188 [599,15-599,19] Herzeloyde: Blamires 1966 409 [599,17-599,20] Hilfe u. Rat: Mohr 1954a 176 [599,15-599,20], Mohr 1979d 40 [599,15-599,20] höfisches Leben: Huth 1972 404 [185,21-815,26] Individualität: Blamires 1966 409 [599,17-599,20] Interpretation: Huth 1972 404 [185,21-815,26], Zimmermann, Gisela 1972 136 Anm. 18 [599,17-599,20], 137 [599,15-599,20], Dewald 1975 188 [599,15-599,19], Wynn 1984 125 [599,9-599,18], Clifton-Everest 1990 312 Anm. 26 [599,14-599,20], Frakes 2000 93 Anm. 19 [599,9-599,30] Literaturgeschichte: Bertau 1972/73 1003 [599,15-599,20], [599,15-599,20] Männerfiguren: Emmerling 2003 107 [599,14-599,20], 151 [599,15-599,20] Märchen: Neugart 1996 70 Anm. 17 [599,10-599,20] Minne u. Ehe: Huth 1972 404 [185,21-815,26], Zimmermann, Gisela 1972 136 Anm. 18 [599,17-599,20], 137 [599,15-599,20], Dewald 1975 188 [599,15-599,19], Christoph 1981a 142 [599,15-599,20], Kleber, J. 1992b 347 [598,17-599,23], Emmerling 2003 107 [599,14-599,20], 151 [599,15-599,20] Moriaen: Wells, D. 1971a 277 Anm. 31 [599,16-599,17] Orgeluse: Zimmermann, Gisela 1972 136 Anm. 18 [599,17-599,20], 137 [599,15-599,20] Parzival: Blamires 1966 409 [599,17-599,20] Raum u. Bewegung: Wynn 1961b 418 [599,9-599,18] Realismus: Huth 1972 404 [185,21-815,26] Rezeption (sekundär - Mittelalter): Nyholm 1964 258 [597,25-599,27] Ritterethik: Emmerling 2003 107 [599,14-599,20], 151 [599,15-599,20] Rittertum: Clifton-Everest 1990 312 Anm. 26 [599,14-599,20] Sprache: Dewald 1975 188 [599,15-599,19] Stil: Mergell 1943 290 [599,10-599,20] Subjektivität: Dewald 1975 188 [599,15-599,19] Syntax: Erbe 1878 37 [599,17-599,19] Trevrizent: Blamires 1966 409 [599,17-599,20] Vergewaltigung: Clifton-Everest 1990 312 Anm. 26 [599,14-599,20] Wortschatz: Mohr 1979d 40 [599,15-599,20] | |
| (zu den versspezifischen Angaben) |