Adaptation: Mergell 1943 308 [706,30-707,30]
Anfortas: Blamires 1966 433 [707,26-708,14]
Charakterisierung: Blamires 1966 433 [707,26-708,14]
Condwiramurs: Blamires 1966 433 [707,26-708,14]
Erzähltechnik: Mergell 1943 308 [706,30-707,30]
Feirefiz: Blamires 1966 433 [707,26-708,14]
Fiktionalität: Huth 1972 404 [185,21-815,26]
Fuetrer, Ulrich: Nyholm 1964 270 [704,8-709,22]
Gahmuret: Blamires 1966 433 [707,26-708,14]
Gawan: Blamires 1966 433 [707,26-708,14]
Grammatik: Boysen 1910 148
Herzeloyde: Blamires 1966 433 [707,26-708,14]
höfisches Leben: Huth 1972 404 [185,21-815,26]
Individualität: Blamires 1966 433 [707,26-708,14]
Interpretation: Essen 1967 114 < [707,1-707,30], 115 [707,29-707,30], Huth 1972 404 [185,21-815,26], Wynn 1984 296 Anm. 101 [703,29-707,30]
Metrik: Kraus, C. 1902 217
Minne u. Ehe: Huth 1972 404 [185,21-815,26]
Namen: Kraus, C. 1902 217
Pädagogik: Essen 1967 114 < [707,1-707,30], 115 [707,29-707,30]
Parzival: Blamires 1966 433 [707,26-708,14]
Quellen - allgemein: Haferland 1994b 269 [706,26-708,20]
Realismus: Huth 1972 404 [185,21-815,26]
Reim: Kraus, C. 1902 217
Religion: Haferland 1994b 269 [706,26-708,20]
Rezeption (sekundär - Mittelalter): Nyholm 1964 270 [704,8-709,22]
Stil: Mergell 1943 308 [706,30-707,30]
Trevrizent: Blamires 1966 433 [707,26-708,14]
Zeitverhältnisse: Haferland 1994b 269 [706,26-708,20]
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