732,20 (zu den werkspezifischen Angaben)	[Zu 732,19]
Adaptation: Mergell 1943 177 Anm. 81 [732,19-732,29], 311 [732,15-732,30], Henzen 1958 432 [732,1-732,25], Fourquet 1979a 152 [732,1-733,30], Huby, Michel 1980a 2 [732,1-733,30] Allegorese: Freytag, W. und Freytag, H. 1973 310 [732,19-732,22] Artusepik: Richey 1950 42 Anm. 1 [732,1-733,30], Richey 1969c 146 Anm. 1 [732,1-733,30] Charakterisierung: Ehrismann, G. 1927 260 [732,1-732,29], Blamires 1966 127 [732,15-732,29], 247 [732,19-732,25], Ortmann 1972 64 [732,1-733,30], 71 Anm. 30 [732,1-733,30], 107 Anm. 51 [732,19-732,22], 107 [732,1-733,30], 108-09 [732,15-733,21], 112 [732,15-732,30], 121 [732,15-732,29], 130 [732,15-733,20] Condwiramurs: Gibbs 1967/68 308 Anm. 2 [732,15-732,22], Gibbs 1972 31 [732,19-732,21] Entstehungsgeschichte des Parzival: Karg-Gasterstädt 1925 77 [732,19-732,22], 78 [732,19-732,22], Boigs 1987 374 [732,1-733,30] Erzähltechnik: Schwartzkopff 1909 33 [732,15-732,29], Walker, E. 1928 114 [732,15-732,29], 236 zitiert als 722,15 [732,15-733,20], 279 Anm. 97 [732,15-732,29], 280 Anm. 105 [732,15-732,29], Hirschberg 1976 255 [732,15-733,20], 259 [732,15-733,20], Parshall 1981 130 [732,19-732,22], Sauer, M. 1981 191 Anm. 6 [732,11-732,29], Stein, A. 1993 247 Anm. 453 [732,19-732,22], Schu 2002 403 [732,1-733,30] Feirefiz: Caples 1975/76 546 [732,1-733,30] Gottfried von Straßburg: Haruta 1978 313 [732,15-733,29] Gral: Dewald 1975 161 [732,19-732,24], 163 [732,19-732,21], 164 [732,19-732,21], Falk 1985c 172 [732,1-733,30] Individualität: Buschinger 2002b 189 [732,15-733,19], 191 [732,19-732,22] Interpretation: Schwietering 1961/62 120 [732,19-732,21], Misch 1927 305 [732,1-733,20], 306 [732,15-733,20], Weber, G. 1948 32 [732,1-732,30], 76 [732,1-733,15], Springer 1959 241 [732,19-732,22], Richey 1960 26 [732,1-733,30], Sacker 1963 161 [732,19-732,22], Schwietering 1969l 462 [732,19-732,21], Schröder, Werner 1971a 132 [732,19-732,22], Huth 1972 404 [185,21-815,26], Roßkopf 1972 213 [732,1-732,29], Kratz, H. 1973a 234 [732,1-733,20], 382 [732,1-733,30], 391-92 [732,15-733,20], 532, Schmidt, J. 1974 389 Anm. 23 [732,19-732,21], Dewald 1975 336 Anm. 50 [732,19-732,22], Springer 1975b 204 [732,19-732,22], Ehrismann, O. und Kaminsky 1976 219 [732,19-732,22], Wynn 1984 312 [732,1-733,30], Gottzmann 1986 261 [732,1-732,29], Schirok 1987a 55 [732,15-732,22], Gottzmann 1988a 261 [732,1-732,29], Huby, Michel 1989 267 [732,1-733,20], Schröder, Werner 1989q 241 [732,19-732,22], Liebertz-Grün 1993a 108 [732,1-733,20], Nellmann 1994c 755 [732,19-732,21], Pratelidis 1994 221 [732,1-733,30], Knapp, F. 1996b 359 Anm. 20 [732,19-732,22], Steppich 1999 68 Anm. 77 [732,19-732,20], 68 [732,19-732,22], Bumke 2001a 49 Anm. 88 [732,19-732,22], Bumke 2001b 362 Anm. 27 [732,19-732,22], Reichert, H. 2002 170-71 [732,15-733,8], Bumke 2004 74 [732,19-732,22] Ironie: Green 1979a 231 [732,1-733,20], 321 [732,19-732,29] Kampfmetaphorik: Kohler 1935 95 Anm. 29 [732,15-732,22] kiusche: San-Marte 1861 184 [732,20-732,21], Kratz, H. 1973a 62 [732,20-732,22] Kommunikation: Schnyder, M. 2003 148 [732,1-733,30], 240-41 [732,1-733,30] Memoria: Ridder 1999 37 [732,19-732,22] Minne u. Ehe: Wesle, C. 1950 34-35 [732,19-732,22], Wapnewski 1955 147 [732,1-733,20], 149 [732,19-732,27], Schumacher, Marlis 1967 100 [732,19-732,22], 139 Anm. 53 [732,19-732,22], 184 [732,19-732,22], Oonk 1976 30 [732,19-732,21], 33 [732,19-732,21], Wapnewski 1982 147 [732,1-733,20], 149 [732,19-732,27], Greenfield 1985a 36 [732,1-732,29], Jaeger 1999 190 [732,1-732,21], Emmerling 2003 307 [732,19-732,22] Oxymoron: Freytag, W. 1972a 23 Anm. 4 [732,20-732,25] Pädagogik: Essen 1967 72 [723,1-733,30] Psychologie: Lichtenstein 1897 67 [732,1-733,30], Endres 1978 392 [732,19-732,21], Obleser 1997 118-19 [732,1-733,19] Quellen - allgemein: Heinzel 1893 80 [732,1-732,29], 100 [732,15-733,21], 107 [732,18-732,29] Religion: Schröder, Werner 1955/56 1212 [732,19-732,21], San-Marte 1861 269 [732,19-732,21], Mockenhaupt 1942 171 [732,1-733,30], Schröder, Werner 1956 16 [732,19-732,21], Mockenhaupt 1968 171 [732,1-733,30], Schröder, Werner 1989o 206 [732,19-732,21] Rezeption (sekundär - Mittelalter): Holznagel 1995 75 s. auch Anm. 38-40 [732,1-733,20] Ritterethik: Ehrismann, G. 1908 449 [732,1-732,29], Ehrismann, G. 1927 258 [732,1-733,20], Keferstein 1937a 95 Anm. 3 u. 4 [732,15-733,20] Schlußpartie des 'Parzival': Emmel 1951 139 [732,19-732,22] Schuld: Wieners 1973 168 Anm. 43 [732,19-732,21] Sigune: Richey 1927 29 [732,1-733,30] Sprache: Rhee 1962 157 [732,1-733,20], Beck, Hartmut 1994 224 [732,1-732,30] Stil: Weber, G. 1928 251 Anm. 389 [732,1-733,20], 268 [732,1-733,30], Kratz, H. 1973a 106 [732,15-733,20] triuwe: Cucuel 1937 82 [732,15-732,22] tumpheit: Balthasar 1965 505 Anm. 8 [732,19-732,21] Überlieferung: Engels 1970 35 Anm. 16 [732,19-732,23] übersetzter Abschnitt: Weber, G. 1981 920 Anm. 228 [732,19-732,21], Kühn, D. 1986 922-23 [732,1-733,30] Wahrnehmung, Blick usw: Schirok 2002b 103 Anm. 20 [732,19-732,22] Werkstruktur: Poag 1968a 207 [732,15-732,22], Maurer 1969c 230 [732,1-733,30], Maurer 1971f 444 [732,1-733,30], Schultz, J. 1983 149 [732,1-733,20] Wortschatz: Mersmann 1971 290 [732,20-732,21] Zeitverhältnisse: Rührmund 1848 472 [732,1-733,30]
	[Zu 732,21]