145, 8 (zu den werkspezifischen Angaben)	[Zu 145, 7]
Abbildungen: Schirok 1988d 128 [145,7-147,10], Stephan-Chlustin 2004 95 [145,7-146,3], 208 [145,7-146,3], 250 [145,7-146,3] Adaptation: Mergell 1943 49 Anm. 73 [144,23-145,25], Huby, Michel 1975a 47 [145,7-145,9], Huby, Michel 1980a 9 Anm. 121 [145,7-145,9] Artusepik: Emmel 1951 79 [145,7-146,3] Chaostheorie: Grein Gamra 1999 97 [145,7-145,9] Charakterisierung: Groos 1995 73 [145,7-146,3] Entstehungsgeschichte des Parzival: Karg-Gasterstädt 1925 155 [107,10-170,13], Eichholz 1987 91 [144,17-147,10] Erzähltechnik: Schwietering 1932 172 [145,7-146,3], Schwietering 1957 172 [145,7-146,3], Hirschberg 1976 146 [144,17-147,10], Green 1982b 72 Anm. 46 [145,7-145,15], Stein, A. 1993 106 Anm. 166 [145,7-145,9], Groos 1995 73 [145,7-146,3], Schu 2002 260 [145,8-147,10], Urscheler 2002 42 Erziehung: Grosse 1962 61 [145,8-145,9] Humor: Eichholz 1987 270 [145,7-146,3] Interpretation: Kratz, H. 1973a 224 [145,7-147,8], Green 1982a 41 [145,8-145,9], 45, Eichholz 1987 270 [145,7-146,3], Clifton-Everest 1997 343, Blank 2000 139 [145,7-147,10] Kindheit u. Jugend: Russ 2000 52 Kleidung, Mode, Textilien: Raudszus 1985 111 [145,7-146,3] Namen: Chandler 1992 134 [145,7-145,16] Quellen - Chrétien: Lichtenstein 1897 16 [145,8-145,12], Rachbauer 1934 38 [145,8-145,9], 41 [145,8-145,12], Rachbauer 1970 38 [145,8-145,9], 41 [145,8-145,12], Rachbauer 1980 38 [145,8-145,9], 41 [145,8-145,12], Eichholz 1987 91 [144,17-147,10] Rezeption (sekundär - Mittelalter): Nyholm 1964 135 [145,8-145,10], Gürttler 1976 289 [145,7-147,8], Unger, R. 1990 100 [144,17-147,8], Russ 2000 153 Anm. 471 [145,8-145,9] Rittertum: Bumke 1964c 238 Anm. 6 [145,7-145,12] Ritual: Dörrich 2002 172 Anm. 35 [145,8-145,9] Verwandtschaftsverhältnisse: Delabar 1990 76 [145,7-145,16]
	[Zu 145, 9]