Adaptation: Gilmour 2000 91-93 [166,17-169,20]
Chaostheorie: Grein Gamra 1999 93 [168,25-169,2]
Charakterisierung: Blamires 1966 117 [168,24-169,4], 161 [168,23-169,4], Ortmann 1972 129 [168,24-169,2], Johnson, L. 1978a 279 [168,7-169,4], Johnson, L. 1978c 294 [168,7-169,4], Yeandle 1984 354 [168,7-169,4]
Entstehungsgeschichte des Parzival: Karg-Gasterstädt 1925 50 [168,23-169,4], 155 [107,10-170,13]
Erzähltechnik: Wolf, A. 1995 45 [168,26-169,4], Schu 2002 246 Anm. 80 [168,24-169,4], Urscheler 2002 199 [166,11-169,4]
Erziehung: Brall-Tuchel und Haussmann 2003 22 [168,21-169,20]
Handschriftliches: Hirschberg 1976 62 [166,12-169,4]
Herrschaft: Schröder, J. 2004 180 [168,21-169,4]
Interpretation: Kratz, H. 1973a 230 [168,1-169,2], Hahn, I. 1975 219 [168,24-169,2], Gilmour 2000 91-93 [166,17-169,20], 132 [168,24-169,4], 269 [168,21-169,2]
Kleidung, Mode, Textilien: Gilmour 2000 91-93 [166,17-169,20]
Minne u. Ehe: Gilmour 2000 91-93 [166,17-169,20]
Philologie: Schröder, Werner 1975c 289, Yeandle 1984 239, Schröder, Werner 1989z 427
Quellen - Chrétien: Rachbauer 1934 57 [168,21-169,4], Rachbauer 1970 57 [168,21-169,4], Rachbauer 1980 57 [168,21-169,4]
Reim: Gilmour 2000 63 [168,27-168,28]
Rezeption (sekundär - Mittelalter): Kern, Peter 1981 225 Anm. 37 [165,15-169,20]
Rittertum: Vogt, D. 1985 42 [168,1-169,4], Gilmour 2000 51 [168,21-169,20]
Schönheit: Gilmour 2000 91-93 [166,17-169,20]
Soziologie: Sowinski 1993 121 [168,24-169,4]
Stil: Karg-Gasterstädt 1925 121 [168,26-168,29], Laserstein 1967 32 [153,14-372,18], Heinzle 1972 158, Schmidt, E. 1979 562, Gilmour 2000 132-33, 330, Brackert und Fuchs-Jolie 2002 353
tumpheit: Gilmour 2000 91-93 [166,17-169,20]
Werkstruktur: Hirschberg 1976 62 [166,12-169,4]
Wortsinn: Pretzel 1982 51 [168,28-168,29], Gilmour 2000 132-33
zuht: San-Marte 1862b 80 [168,28-168,30], Kratz, H. 1973a 60, Gilmour 2000 132-33
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