229, 8 (zu den werkspezifischen Angaben)[Zu 229, 7]
Adaptation: Mergell 1943 119-20 [229,1-229,22], Weigand, H. 1952 485 Anm. 1 [228,27-229,19], 485-86 [229,1-229,22], Weigand, H. 1969c 75 Anm. 1 [228,27-229,19], 76-77 [229,1-229,22], Fourquet 1979a 79 [229,4-229,22], Dubuis 1982 153 Anm. 39 [229,4-229,9]
Charakterisierung: Kordt 1997 36 [229,6-229,9], 52-52 [229,2-229,21]
Entstehungsgeschichte des Parzival: Karg-Gasterstädt 1925 80 [228,27-229,19]
Erzähltechnik: Green 1982b 95 [229,8-229,14], Maczewski 1984 6 [229,1-229,22], 8 [229,1-229,22], Stein, A. 1993 118 [229,8-229,14], Green 2002e 159 [229,8-229,14], Schu 2002 268 Anm. 139 [229,4-229,17], 272 Anm. 147 [229,4-229,18]
Erziehung: Cosman 1966 82 [229,1-229,14], Kordt 1997 241 [229,3-229,22]
ethischer Wortschatz: Knapp, F. 1970 82 [229,2-229,22], 83 [229,8-229,9]
Fragen: Kordt 1997 148 [229,1-229,22], 227 [228,25-229,22]
Gefühle: Ridder 2003b 219 [229,1-229,9]
Gewalt: Lienert 2002a 235 [229,4-229,18]
Grammatik: Boysen 1910 155
Handschriftliches: Kordt 1997 51 [228,27-229,19]
Hartmann von Aue: Smits 1980 252 [229,1-229,22], 253-54 [229,1-229,22], Duckworth 1985 142 [229,1-229,22]
Herrschaft: Schröder, J. 2004 209-10 [229,1-229,22]
heterodoxe Einflüsse: Kahane, H. und Kahane, R. 1965 48 [229,1-229,22]
Humor: Kant 1878 5 Anm. 1 [229,4-229,9]
indoeur. Mythologie: Pastré 1993c 67 [229,1-229,22]
Interpretation: Eggers 1953/54 287 [229,1-229,22], Mohr 1958b 12 [229,1-229,22], Mohr 1966a 303 [229,1-229,22], Lofmark 1970 730 [229,1-229,22], Gärtner 1972a 237-38 [229,1-229,22], Huth 1972 404 [185,21-815,26], Roßkopf 1972 262 [229,4-229,22], Kratz, H. 1973a 250 [229,4-229,22], Green 1978c 150-51 [229,8-229,11], Tax 1978a 25 [229,1-229,18], Mertens, V. 1979a 323 [228,1-229,22], Mohr 1979e 78 [229,1-229,22], Ruh 1980 79 [229,4-229,22], Johnson, L. 1982 101 Anm. 27 [229,1-229,22], Blank 1990 40 [229,4-229,9], Steppich 1993 388 [229,1-229,22], Nellmann 1994c 569 [229,1-229,22], 570 [229,8-229,9], Kordt 1997 52-52 [229,2-229,21], 175 [229,3-229,22], Johnson, L. 2002 218 Anm. 27 [229,1-229,22]
Ironie: Green 1970b 63 [229,1-229,14], Green 1970f 63 [229,1-229,14], Green 1979a 78 Anm. 1 [229,8-229,22]
Keie: Kordt 1997 52-52 [229,2-229,21]
Lichtmetaphorik: Cessari 2000 101-02 [229,4-229,14]
Malcreatiure: Kordt 1997 52-52 [229,2-229,21]
Märchen: Kordt 1997 52-52 [229,2-229,21]
Minne u. Ehe: Schumacher, Marlis 1967 141 [223,1-233,30], Kleber, J. 1992b 225 [229,1-229,15]
Narrheit: Kordt 1997 52-52 [229,2-229,21]
Parzival: Adolf 1979 166 [229,1-229,22], 167 [229,1-229,22]
Periphrase u. Umschreibung: Gilmour 2000 313
Quellen - allgemein: Walshe 1937/39b 344-45 [229,4-229,18], Brown, A. 1943 181 [229,4-229,14], Kordt 1997 52-52 [229,2-229,21]
Religion: Duckworth 1980 162 [229,1-229,22], 165 [229,1-229,22], Ernst 1998 240 Anm. 63 [229,3-229,22]
Rezeption (sekundär - Mittelalter): Jillings 1980 230 [229,4-229,22], Parshall 1981 245 Anm. 47 [229,1-229,30]
Rezeption (sekundär - Neuzeit): Wagemann 1998 208 Anm. 96 [229,4-229,14]
Sigune: Richey 1927 27 Anm. 1 [229,1-229,20]
Stil: Laserstein 1967 32 [153,14-372,18]
triuwe: Wieners 1973 175 Anm. 155 [229,1-229,22]
tumpheit: Haas, A. 1964 102-03 [229,2-229,22]
Überlieferung: Nock 1968 160 [228,27-229,18], 173 [228,27-229,18], Engels 1970 36 [228,27-229,19], Bonath und Lomnitzer 1989 139 [229,4-229,25], Baisch 2002a 246 [228,27-229,22], Oltrogge und Schubert 2002 363 Anm. 50 [229,5-229,9]
Verwandtschaftsverhältnisse: Bertau 1983i 216, Delabar 1990 255 [229,2-229,22]
Werkstruktur: Hirschberg 1976 105 [227,26-229,22]
Wildheit: Hufeland 1976 13 [229,4-229,22], Nolte, T. 1997 54 zitiert als 219, 4-22 [229,4-229,22]
Wortschatz: Mersmann 1971 249
Wortsinn: Jaffe, A. 1965 160 Anm. 4 [229,1-229,22]
Zorn: Ridder 2003c 237 [229,1-229,22]
 [Zu 229, 9]