Adaptation: Lichtenstein 1897 40 [260,18-260,19], Weber, G. 1928 41 [260,12-260,30], Rachbauer 1934 182 [260,18-260,26], Mergell 1943 83 [260,16-260,21], Rachbauer 1970 182 [260,18-260,26], Rachbauer 1980 182 [260,18-260,26]
Anfortas: Blamires 1966 150 [260,18-261,30]
Buch III: Fourquet 1965 150 [258,1-261,1], Fourquet 1979j 175 [258,1-261,1], Yeandle 1984 292 [260,18-260,21], 361 [260,16-260,21]
Buch IV: Fourquet 1965 150 [258,1-261,1], Fourquet 1979j 175 [258,1-261,1]
Buch V: Fourquet 1965 150 [258,1-261,1], Fourquet 1979j 175 [258,1-261,1]
Buch VI: Fourquet 1965 150 [258,1-261,1], Fourquet 1979j 175 [258,1-261,1]
Charakterisierung: Blamires 1966 150 [260,18-261,30]
Condwiramurs: Blamires 1966 150 [260,18-261,30]
Entstehungsgeschichte des Parzival: Boigs 1987 354 [260,18-260,26], Boigs 1992 12 [260,18-260,21]
Erzähler: Green 1979a 169
Erzähltechnik: Mergell 1943 83 [260,16-260,21], Steinhoff 1964 62 [260,16-260,21], Hirschberg 1976 17 [260,16-260,21], 19 [260,12-261,30], Green 1979a 169, Parshall 1981 61 [260,16-260,21], Green 1982b 101, Green 1983a 62, Green 2002e 161, Schu 2002 231 [260,18-260,26]
Feirefiz: Blamires 1966 150 [260,18-261,30]
Fiktionalität: Huth 1972 404 [185,21-815,26]
Gahmuret: Blamires 1966 150 [260,18-261,30]
Gattung: Schu 2002 231 [260,18-260,26]
Gawan: Blamires 1966 150 [260,18-261,30]
Gawan-Handlung: Boigs 1987 354 [260,18-260,26]
Gesamtwürdigung: Kratz, H. 1973a 263 [259,15-260,23]
Herzeloyde: Blamires 1966 150 [260,18-261,30]
höfischer Roman: Green 1979a 169, Schu 2002 231 [260,18-260,26]
höfisches Leben: Huth 1972 404 [185,21-815,26]
Individualität: Blamires 1966 150 [260,18-261,30]
Interpretation: Huth 1972 404 [185,21-815,26], Green 1982b 101, Wynn 1984 100 [256,5-260,21], Green 2002e 161
Ironie: Green 1979a 169
Jüngerer Titurel: Parshall 1981 61 [260,16-260,21]
Kommentar: Schiendorfer 1983 171, Yeandle 1984 292 [260,18-260,21], 361 [260,16-260,21], Backes, S. 1999 83 Anm. 65 [260,1-260,30], Gilmour 2000 18
Kyot: Lichtenstein 1897 40 [260,18-260,19], Weber, G. 1928 41 [260,12-260,30]
Minne u. Ehe: Huth 1972 404 [185,21-815,26], Green 1979a 169
Parodie: Schiendorfer 1983 171
Parzival: Blamires 1966 150 [260,18-261,30]
Pferde u. Pferdeschmuck: Ackermann-Arlt 1990 172 Anm. 11 [260,16-260,26]
Prosa-Lancelot: Ackermann-Arlt 1990 172 Anm. 11 [260,16-260,26]
Quellen - allgemein: Lichtenstein 1897 40 [260,18-260,19], Weber, G. 1928 41 [260,12-260,30]
Quellen - Chrétien: Lichtenstein 1897 40 [260,18-260,19], Weber, G. 1928 41 [260,12-260,30], Rachbauer 1934 182 [260,18-260,26], Rachbauer 1970 182 [260,18-260,26], Rachbauer 1980 182 [260,18-260,26]
Raum u. Bewegung: Wynn 1961b 402 [256,5-260,21]
Realismus: Huth 1972 404 [185,21-815,26]
Rezeption (sekundär - Mittelalter): Parshall 1981 61 [260,16-260,21]
Rittertum: Green 1979a 169
Selbstverteidigung: Boigs 1992 12 [260,18-260,21]
Soziologie: Margetts 2002 536 [260,6-260,26]
Stil: Lichtenstein 1897 40 [260,18-260,19], Riemer, G. 1906 26, 35, Weber, G. 1928 41 [260,12-260,30], Mergell 1943 83 [260,16-260,21], Laserstein 1967 32 [153,14-372,18]
Syntax: Horacek 1957 436 [260,18-260,21]
Trevrizent: Blamires 1966 150 [260,18-261,30]
Walther von der Vogelweide: Schiendorfer 1983 171
Werkstruktur: Fourquet 1965 150 [258,1-261,1], Hirschberg 1976 17 [260,16-260,21], 19 [260,12-261,30], Fourquet 1979j 175 [258,1-261,1], Green 1979a 169
Wortschatz: Riemer, G. 1906 26, 35
Zahlenkomposition: Fourquet 1965 150 [258,1-261,1], Fourquet 1979j 175 [258,1-261,1]
Zeitverhältnisse: Steinhoff 1964 62 [260,16-260,21]
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