306,12 (zu den versspezifischen Angaben) 
Abbildungen: Stephan-Chlustin 2004 222 [306,10-307,6]
Adaptation: Lichtenstein 1897 50 [306,12-306,20], Mergell 1943 95 [306,10-306,20], Wolf, A. 1985a 42 [305,14-307,12], 43 Anm. 58 [306,10-306,20], Wolf, A. 1999h 306 Anm. 58 [306,10-306,20], 306 [305,14-307,12]
Anfortas: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Charakterisierung: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Condwiramurs: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Erzähltechnik: Mergell 1943 95 [306,10-306,20]
Erziehung: Pastré 1993f 367 [306,9-307,6]
Feirefiz: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Fiktionalität: Huth 1972 404 [185,21-815,26]
Gahmuret: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Gawan: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Gesamtwürdigung: Kratz, H. 1973a 122 [306,12-306,13], 214 Anm. 19 [306,10-306,25], 272 [305,7-308,22]
Handschriftliches: Stephan-Chlustin 2004 222 [306,10-307,6]
Heidentum: San-Marte 1862b 69 [306,11-306,15]
Herzeloyde: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
höfisches Leben: Mersmann 1971 240 [306,11-306,15], Huth 1972 404 [185,21-815,26]
Individualität: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
indoeur. Mythologie: Pastré 1993c 297 [306,9-307,6], Pastré 1993f 367 [306,9-307,6]
Interpretation: Mersmann 1971 240 [306,11-306,15], Huth 1972 404 [185,21-815,26]
Kleidung, Mode, Textilien: Brüggen 1989 73 Anm. 199 [306,10-306,20], 85 Anm. 226 [306,10-306,20], 247 [306,11-306,13], Brüggen 1993 207 Anm. 39 [306,10-307,12]
Kommentar: Garnerus 1999 205 [305,14-307,12], 209-10 [305,16-307,5], 214 [305,27-307,6], 217 [306,10-306,13], 217-18, Gilmour 2000 124 [306,12-306,13]
Kyot: Lichtenstein 1897 50 [306,12-306,20]
Metaphorik u. Bildlichkeit: Fuchs-Jolie 2004 267 [306,10-306,20]
Minne u. Ehe: San-Marte 1862b 69 [306,11-306,15], Huth 1972 404 [185,21-815,26]
Parzival: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Der Pleier: Kern, Peter 1981 176 Anm. 45 [306,10-307,12]
Quellen - allgemein: Lichtenstein 1897 50 [306,12-306,20]
Quellen - Chrétien: Lichtenstein 1897 50 [306,12-306,20]
Realismus: Huth 1972 404 [185,21-815,26]
Reichtum u. materialer Besitz: Mersmann 1971 240 [306,11-306,15]
Rezeption (sekundär - Mittelalter): Kern, Peter 1981 176 Anm. 45 [306,10-307,12]
Rezeption (sekundär - Neuzeit): Wagemann 1998 201 [306,10-307,6]
Rhetorik: Fuchs-Jolie 2004 267 [306,10-306,20]
Ritterethik: San-Marte 1862b 69 [306,11-306,15]
Ritterkampf u. Turnierwesen: San-Marte 1862b 69 [306,11-306,15]
Rittertum: San-Marte 1862b 69 [306,11-306,15]
Sprache: San-Marte 1862b 69 [306,11-306,15]
Stil: Lichtenstein 1897 50 [306,12-306,20], Riemer, G. 1906 46, Mergell 1943 95 [306,10-306,20], Laserstein 1967 32 [153,14-372,18]
Trevrizent: Blamires 1966 120 [306,10-306,29], 122 [306,10-306,29]
Überlieferung: Stephan-Chlustin 2004 222 [306,10-307,6]
Verwandtschaftsverhältnisse: Delabar 1990 230 [306,9-307,12]
Wahrnehmung, Blick usw: Fuchs-Jolie 2004 267 [306,10-306,20]
Werkstruktur: Pastré 1993c 297 [306,9-307,6]
Wortschatz: San-Marte 1862b 69 [306,11-306,15], Riemer, G. 1906 46, Mersmann 1971 240 [306,11-306,15]
 (zu den versspezifischen Angaben)