306,22 (zu den werkspezifischen Angaben)[Zu 306,21]
Abbildungen: Stephan-Chlustin 2004 222 [306,10-307,6]
Adaptation: Mergell 1943 15 Anm. 4 [306,21-306,23], Wolf, A. 1985a 42 [305,14-307,12], Wolf, A. 1999h 306 [305,14-307,12]
Apokoinu: Leitzmann 1927c 94 [306,21-306,22], Sievers 1927 102-04 [306,21-306,22], Gärtner 1969 244-45 [306,21-306,22]
Blutstropfenepisode: Dewald 1975 106 Anm. 5 [306,22-306,23]
Charakterisierung: Blamires 1966 114 Anm. 2, 120 [306,10-306,29], 122 [306,10-306,29], Ortmann 1972 130 [306,21-307,12], Johnson, L. 1978a 279 [306,22-306,29], Johnson, L. 1978c 294 [306,21-307,12]
Cunneware: Garnerus 1999 209-10 [305,16-307,5]
Entstehungsgeschichte des Parzival: Cucuel 1937 12
Erzähltechnik: Hirschberg 1976 119 [306,21-306,29], Green 1981a 107, Garnerus 1999 205 [305,14-307,12]
Farben u. Farbensymbolik: Gilmour 2000 282 [306,22-306,23]
Frauen (allgemein): Garnerus 1999 209-10 [305,16-307,5]
Gebärde u. Geste: Peil 1975 41 Anm. 37 [306,21-306,22], 307 [306,21-306,22]
groteske Figuren: Michel 1976 286 Anm. 101.1 [306,21-306,23]
Handschriftliches: Garnerus 1999 222 [306,21-306,22]
höfisches Leben: Garnerus 1999 212 [306,21-306,22], 214 [305,27-307,6], 222 [306,21-306,22], Voorwinden 1999c 170 [306,21-306,22], Gilmour 2000 197 [306,21-306,23]
indoeur. Mythologie: Pastré 1993c 297 [306,9-307,6], 298 [306,16-307,12], Pastré 1993f 367 [306,9-307,6], 368 [306,16-308,10]
Interpretation: Kashiwagi 1970 5 [306,22-306,27], Huth 1972 404 [185,21-815,26], Kratz, H. 1973a 214 Anm. 19 [306,10-306,25], 272 [305,7-308,22], Bertau 1980 25, Huber, H. 1981 56 [306,21-306,25], 209 [306,21-306,28], 280 Anm. 266 [306,21-306,28], 288 Anm. 321 [306,21-306,28], Bertau 1983h 173, Yeandle 1984 55 [306,21-306,23], Garnerus 1999 209-10 [305,16-307,5], 213 [306,21-306,22], 214 [305,27-307,6], 222 [306,21-306,22], Izumiya 2002 180 [306,21-306,28], 192 [306,21-306,28]
Interpunktion: Garnerus 1999 222 [306,21-306,22]
Jungfräulichkeit: Müller, Maria E 1995 208 [306,22-306,28]
Kleidung, Mode, Textilien: Brüggen 1993 207 Anm. 39 [306,10-307,12]
Körper u. Körperteile: Gilmour 2000 282 [306,22-306,23]
Lesarten: Garnerus 1999 222 [306,21-306,22]
Lichtmetaphorik: Cessari 2000 77 [306,21-306,28]
Metaphorik u. Bildlichkeit: Fuchs-Jolie 2004 266 [306,21-306,27]
Minne u. Ehe: Garnerus 1999 209-10 [305,16-307,5], 214 [305,27-307,6]
Redewendungen, Formelhaftes usw: Matz 1907 14 [306,21-306,22], Garnerus 1999 222 [306,21-306,22]
Rezeption (sekundär - Mittelalter): Belitz 1978 342 Anm. 126 [306,22-306,29], Kern, Peter 1981 176 Anm. 45 [306,10-307,12]
Rezeption (sekundär - Neuzeit): Wagemann 1998 201 [306,10-307,6]
Schönheit: San-Marte 1862b 158 [306,22-306,28], Hahn, I. 1975 207 [306,22-306,23], 227 Anm. 97 [306,21-306,23], 229 [306,21-306,23], Wenzel, H. 1996c 90 [306,21-306,28], Backes, S. 1999 54, Garnerus 1999 212 [306,22-306,23], 222-23 [306,22-306,23], Gilmour 2000 200 [306,21-306,23], 281 [306,22-306,23], Pappas 2001 158 [306,22-306,28], 161 [306,22-306,23]
Schriftlichkeit: Wandhoff 1996 221 [306,21-306,28]
Sprache: Mohr 1979l 230-31 [306,21-306,28]
Stil: Laserstein 1967 32 [153,14-372,18]
Syntax: Garnerus 1999 222 [306,21-306,22]
Verwandtschaftsverhältnisse: Delabar 1990 230 [306,9-307,12]
Wortschatz: Riemer, G. 1906 49, Gilmour 2000 200 [306,21-306,23]
Wortsinn: Garnerus 1999 222 [306,21-306,22], Gilmour 2000 102 [306,21-306,22]
 [Zu 306,23]