599,11 (zu den versspezifischen Angaben)
Adaptation: Weber, G. 1928 36 [599,11-599,14], Mergell 1943 290 [599,10-599,20], Neugart 1996 70 Anm. 16 [598,16-599,13], 70 Anm. 17 [599,10-599,20], Emmerling 2003 116 [598,16-599,13], 151 [598,16-599,13] Artusepik: Ringeler 2000 164 [599,10-599,13], 166 [599,9-599,20] Charakterisierung: Ringeler 2000 164 [599,10-599,13], 166 [599,9-599,20], Emmerling 2003 116 [598,16-599,13], 151 [598,16-599,13] Erzähltechnik: Mergell 1943 290 [599,10-599,20], Hirschberg 1976 215 [598,30-599,13], 216 Anm. 47 [598,16-599,13], Neugart 1996 70 Anm. 16 [598,16-599,13], 70 Anm. 17 [599,10-599,20] Fiktionalität: Huth 1972 404 [185,21-815,26] Frauen (allgemein): Kinzel 1889 70 [598,16-599,13] Frauenfiguren: Emmerling 2003 116 [598,16-599,13], 151 [598,16-599,13] Fuetrer, Ulrich: Nyholm 1964 258 [597,25-599,27] Gawan: Dimpel 2001 53 [599,1-599,16] Gawan-Handlung: Zimmermann, Gisela 1972 136 Anm. 18 [598,16-599,13], 144 [598,19-599,13], Bumke 1994b 110 Anm. 12 [598,16-599,13], Neugart 1996 70 Anm. 16 [598,16-599,13], 70 Anm. 17 [599,10-599,20], Dimpel 2001 53 [599,1-599,16], Emmerling 2003 116 [598,16-599,13], 151 [598,16-599,13], Wynn 1976/77 133 [599,6-599,13] Gesamtwürdigung: Sacker 1963 135 [599,6-599,13], Kratz, H. 1973a 347 [598,16-599,13] höfisches Leben: Huth 1972 404 [185,21-815,26] Interpretation: Huth 1972 404 [185,21-815,26], Zimmermann, Gisela 1972 136 Anm. 18 [598,16-599,13], 144 [598,19-599,13], Wynn 1984 125 [599,9-599,18], Frakes 2000 93 Anm. 19 [599,9-599,30], Dimpel 2001 53 [599,1-599,16] Kyot: Weber, G. 1928 36 [599,11-599,14] Literaturgeschichte: Bertau 1972/73 1003 [599,9-599,13], [599,9-599,13] Männerfiguren: Emmerling 2003 116 [598,16-599,13], 151 [598,16-599,13] Märchen: Neugart 1996 70 Anm. 16 [598,16-599,13], 70 Anm. 17 [599,10-599,20] Medizin: Haferlach 1991 49 [598,16-599,13] Minne u. Ehe: Huth 1972 404 [185,21-815,26], Zimmermann, Gisela 1972 136 Anm. 18 [598,16-599,13], 144 [598,19-599,13], Christoph 1981a 140-41 [598,16-599,13], Kleber, J. 1992b 347 [598,17-599,23], Bumke 1994b 110 Anm. 12 [598,16-599,13], Dimpel 2001 53 [599,1-599,16], Emmerling 2003 116 [598,16-599,13], 151 [598,16-599,13] Orgeluse: Wynn 1976/77 133 [599,6-599,13], Zimmermann, Gisela 1972 136 Anm. 18 [598,16-599,13], 144 [598,19-599,13], Dieterich 2000 47 Anm. 169 [599,10-599,13], Dimpel 2001 53 [599,1-599,16], Wynn 1976/77 133 [599,6-599,13] Quellen - allgemein: Weber, G. 1928 36 [599,11-599,14] Quellen - Chrétien: Rochat 1858 114 [599,6-599,13], Weber, G. 1928 36 [599,11-599,14], Wynn 1976/77 133 [599,6-599,13] Raum u. Bewegung: Wynn 1961b 418 [599,9-599,18] Realismus: Huth 1972 404 [185,21-815,26] Rezeption (sekundär - Mittelalter): Nyholm 1964 258 [597,25-599,27] Ritterethik: Emmerling 2003 116 [598,16-599,13], 151 [598,16-599,13] Rittertum: Dimpel 2001 53 [599,1-599,16] Schicksal u. Fortuna: Dieterich 2000 47 Anm. 169 [599,10-599,13] Sexuelles u. Geschlechterbeziehungen: Bumke 1994b 110 Anm. 12 [598,16-599,13] Stil: Weber, G. 1928 36 [599,11-599,14], Mergell 1943 290 [599,10-599,20] tumpheit: Haas, A. 1964 45 [598,16-599,13] Werkstruktur: Hirschberg 1976 215 [598,30-599,13], 216 Anm. 47 [598,16-599,13]
	(zu den versspezifischen Angaben)